Winter-no Snow
In January we made a walk in the Harz mountains. That´s the region where I was born. No snow this year, but we looked down on the foggy valley and […]
Category Archives: holzschnitt
number 4
Now here is the last one of the shadow series: The series is complete now:
More Shadows
After the problems with my second shadow-print, I tried again from the same plates, but with reduced coloring and leaving aside one plate. Nach den Schwierigkeiten mit meinem zweiten Schatten-Druck, […]
Shadows
In Winter, the sunlight isn´t filtered by the leaves. On the smooth bark of the beechtrees, the shadows are dancing. This is the first of four prints that I´m planning, […]
Winter Print 2
Some time ago I made Winter Print, now here is a variation. A technical remark: The black parts needed some structure, not a uniform color. So I painted the wooden […]
Nuances
Small changes in colors, shade and intensity, may change a lot in the impact of the resulting picture. Here you can find my first prints about a rocky cove at […]
Triple
Printmaking – that´s not only making an edition, it is also about variation, trying different colors and intensities. The color of the rocks is printed twice: ultramarine blue and a […]
Rocky Coast Felsküste
A rocky coast in in Sweden, shaped during ice age. This is print from four plates with two gradations. Eine Felskuste in Schweden, wie sie in der Eiszeit geformt wurde. […]
Winter Print
A friend and I, we decided to have an exhibition together in 2020. Preparing for this exhibition, we both choose a photo and gave it to the other one […]
Reduction Cut
An abandonned quarry near Kelbra. Usually you would need three plates for the print. Here a reduction cut can be used: The same plate is beeing cut again to print […]
Out of the Dark
Handling wet paper with precision is a challenge. With a waterbased Mokuhanga woodcut you have to do that. With 60 cm it´s the biggest that I have made up to […]
Trees
A woodcut from five plates, mostly several impressions per plate. I wanted the colors to be intense, but not unnatural signal colors. so I used strong contrasts – green/red, yellow/blue […]
