Some time ago I made Winter Print, now here is a variation. A technical remark: The black parts needed some structure, not a uniform color. So I painted the wooden […]

Small changes in colors, shade and intensity, may change a lot in the impact of the resulting picture. Here you can find my first prints about a rocky cove at […]

Printmaking – that´s not only making an edition, it is also about variation, trying different colors and intensities. The color of the rocks is printed twice: ultramarine blue and a […]

A rocky coast in in Sweden, shaped during ice age. This is print from four plates with two gradations. Eine Felskuste in Schweden, wie sie in der Eiszeit geformt wurde. […]

  A friend and I, we decided to have an exhibition together in 2020. Preparing for this exhibition, we both choose a photo and gave it to the other one […]

An abandonned quarry near Kelbra. Usually you would need three plates for the print. Here a reduction cut can be used: The same plate is beeing cut again to print […]

Handling wet paper with precision is a challenge. With a waterbased Mokuhanga woodcut you have to do that. With 60 cm it´s the biggest that I have made up to […]

A woodcut from five plates, mostly several impressions per plate. I wanted the colors to be intense, but not unnatural signal colors. so I used strong contrasts – green/red, yellow/blue […]