Triple
Printmaking – that´s not only making an edition, it is also about variation, trying different colors and intensities. The color of the rocks is printed twice: ultramarine blue and a […]
Category Archives: landschaft
Rocky Coast Felsküste
A rocky coast in in Sweden, shaped during ice age. This is print from four plates with two gradations. Eine Felskuste in Schweden, wie sie in der Eiszeit geformt wurde. […]
Winter Print
A friend and I, we decided to have an exhibition together in 2020. Preparing for this exhibition, we both choose a photo and gave it to the other one […]
Reduction Cut
An abandonned quarry near Kelbra. Usually you would need three plates for the print. Here a reduction cut can be used: The same plate is beeing cut again to print […]
four days
Four days, six people, a place in the forest, an old quarry, drawing, drawing drawing. And in the evening cooking at the campfire. A workshop with Henrik Schrat. Vier Tage, […]
Out of the Dark
Handling wet paper with precision is a challenge. With a waterbased Mokuhanga woodcut you have to do that. With 60 cm it´s the biggest that I have made up to […]
Trees
A woodcut from five plates, mostly several impressions per plate. I wanted the colors to be intense, but not unnatural signal colors. so I used strong contrasts – green/red, yellow/blue […]
The End is the Beginning
A tree at the seaside, mostly stormy weather, it can´t grow properly, bend or even broken by the wind. This is a moku hanga woodcut from two plates on a […]
After the Rain
With this print I´m participating in the International Mini Print Cantabrica, taking place in Santander 2019. The theme of thisexhibition: “The Sea and the Lighthouse”.In 2018 I was in Santander […]
Thinking of Summer
This is the most abstract of my landscape prints, perhaps it isn´t a landscape at all, but it reminds me of a s
Forest
I like walking in the forest very much. So I started a series of three prints: Forest in the colours of autumn. Here is number three, the most colourful one. […]
Making a Moku Hanga Print 3
(continuation from part 2) The bottom part of the print is also blue (a third kind) and over it (from the same plate) a gradation of ocre. For a gradation, […]
